{"id":1649,"date":"2026-02-11T08:36:59","date_gmt":"2026-02-11T08:36:59","guid":{"rendered":"https:\/\/operastreaming.com\/?page_id=1649"},"modified":"2026-02-20T14:36:35","modified_gmt":"2026-02-20T14:36:35","slug":"le-carnaval-mascarade-royale-ferrara-2026","status":"publish","type":"page","link":"https:\/\/operastreaming.com\/en\/le-carnaval-mascarade-royale-ferrara-2026\/","title":{"rendered":"Le Carnaval, Mascarade Royale – Ferrara – 2026"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”custom” custom_text_color=”#d4c0ff” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”os__hero” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#ffffff” shape_divider_position=”bottom” shape_divider_height=”50%” 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Le Carnaval, Mascarade Royale<\/h1>\n[\/vc_column_text][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” text_color=”#FFFFFF” padding=”large” border_radius=”0px” display=”block” text=”LIVE STREAMING FEB. 14 | 8 P.M.” margin_bottom=”32″][\/vc_column_inner][\/vc_row_inner][tabbed_section style=”material” tab_change_animation=”fade” alignment=”left” spacing=”default” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%” full_width_line=”true” icon_size=”32″][tab icon_family=”none” title=”Credits” id=”1771597754363-10″ tab_id=”1771597754364-2″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]LE CARNAVAL, MASCARADE ROYALE
\n<\/strong>Music by<\/em> John Baptist Lulli<\/strong><\/p>\n

Op\u00e9ra-ballet
\nLibretto by Philippe Quinault
\n<\/strong>critical edition edited by Bernardo Ticci – BTE2025
\nfrom an idea by Marcello Corvino<\/strong><\/p>\n

Premi\u00e8re Dessus<\/em> Valeria La Grotta<\/strong>
\nDeuxi\u00e8me Dessus<\/em> Giuseppina Bridelli<\/strong>
\nHaute-Contre<\/em> Philippe Talbot<\/strong>
\nTaille<\/em> Cyril Auvity<\/strong>
\nPremier Basse<\/em> Biagio Pizzuti<\/strong>
\nDeuxi\u00e8me Basse<\/em> Alexandre Baldo<\/strong><\/p>\n

Dancers
\nMariana Porceddu, Giada Inserra, Leila Ghiabbi, Francesco Saverio Cifaldi, Mario Consolazio, Marianna Caratelli, Ginevra Cicatello, Maurizio Paolantonio<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Direction and scenes<\/em> Emiliano Pellisari<\/strong>
\n<\/strong>Choreography<\/em> Emiliano Pellisari and Mariana Porceddu<\/strong>
\nCostumes<\/em> Daniela Piazza<\/strong>
\nConcept art<\/em> Nora Bujdoso<\/strong>
\nLighting design<\/em> Emiliano Pellisari<\/strong> and Gregory Zencher<\/strong><\/p>\n

Modo Antiquo Orchestra<\/strong>
\nConductor<\/em> Federico Maria Sardelli<\/strong>
\nChoir The Grand Prince’s Musicians<\/strong>
\nChoir conductor and assistant director<\/em> Samuel Lastrucci<\/strong><\/p>\n

Stage director Claudia Spogli
\n<\/strong>Assistant stage director Maristella Ragnedda<\/strong>
\nLighting assistant<\/em> Mattia Mazzini<\/strong>
\nCollaborative pianists<\/em> Enrico Bissolo<\/strong> and Nicola Lamon<\/strong>
\nTheatrical tailoring<\/em> Lucia Fortuna<\/strong>
\nTailors Isabella Franzoni<\/strong>, Sonia Gallerani
\n<\/strong>Wigs and accessories<\/em> Simonetta Taibi and Zein Batayneh
\n<\/strong>Makeup<\/em> Luca Oblach<\/strong> and Lucia Mariotti<\/strong><\/p>\n

WORLD PREMIERE
\nNEW PRODUCTION
\n<\/strong>Production Fondazione Teatro Comunale di Ferrara<\/strong>
\nCoproduction Fondazione Teatro Comunale di Modena<\/strong>
\nIn collaboration with Orchestra Modo Antiquo<\/strong> and NoGravity Theatre<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Info” id=”1771597754379-10″ tab_id=”1771597754379-4″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]After 350 years, Le Carnaval, Mascarade Royale returns to shine in its World Premiere at Ferrara’s Municipal Theater. More than three and a half centuries after its triumph at the court of Louis XIV, the epic ballet op\u00e9ra <\/strong>Le Carnaval, Mascarade Royale<\/strong><\/strong><\/strong> is reborn in a magnificent new production by the Teatro Comunale di Ferrara, co-produced with Teatro Comunale Modena. A masterpiece by Giovanni Battista Lulli<\/g> and a symbol of the Sun King’s court, the show, conceived by Marcello Corvino, combines the score entrusted to Federico Maria Sardelli<\/g> and at the orchestra Modo Antiquo, with the dancers of NoGravity, directed by Emiliano Pellisari<\/g>, who fuse music and movement in a contemporary staging inspired by Baroque theater. The result is a performance in which Carnival is transformed into a space of freedom, metamorphosis and invention.<\/g> <\/p>\n

 <\/p>\n

Court ballet experienced a season of extraordinary vitality in the France of Louis XIV, who in Jean-Baptiste Lully found the perfect ally to bring to the pinnacle of perfection what had become an elite form of entertainment and a valuable tool for celebrating absolute power.<\/p>\n

Le carnaval<\/strong><\/em> debuted at the Louvre in January 1668 and was revived at the Op\u00e9ra in the fall of 1675, with texts by Benserade, Moli\u00e8re, and Quinault. In a bizarre anthology of theatrical scenes, characters drawn from the pastoral, bourgeois, and commedia dell’arte worlds take turns on stage, without neglecting the exoticisms and “Turkishness” motifs so much in vogue at the time. Harlequin and Trivellino, Punchinello and Scaramouche, the bourgeois gentleman, the shepherds of Arcadia, the Ottoman Mufti, Spaniards, Italians, Gypsies, Basques and Egyptians enliven the different entr\u00e9e of the Mascarade royal, in a solemn yet playful homage to the carnival, a moment of renewed social unity that sets no limits to the imagination.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][\/tabbed_section][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#DBCECD” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” top_padding_phone=”8%” constrain_group_5=”yes” bottom_padding_phone=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all” min_width=”47vh”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” column_padding_type=”default” gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”8″ divider_color=”accent-color” custom_line_width=”69″][vc_column_text css=”” text_direction=”default”]\n

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