{"id":1420,"date":"2025-12-18T17:25:30","date_gmt":"2025-12-18T17:25:30","guid":{"rendered":"https:\/\/sitiwebsavona.it\/operastreaming\/rigoletto-piacenza-2022\/"},"modified":"2026-01-21T15:28:37","modified_gmt":"2026-01-21T15:28:37","slug":"rigoletto-piacenza-2022","status":"publish","type":"page","link":"https:\/\/operastreaming.com\/en\/rigoletto-piacenza-2022\/","title":{"rendered":"Rigoletto – Piacenza – 2022"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”custom” custom_text_color=”#d4c0ff” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”os__hero” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#ffffff” shape_divider_position=”bottom” shape_divider_height=”50%” bg_image_animation=”none” 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Rigoletto<\/h1>\n[\/vc_column_text][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” padding=”small” border_radius=”0px” display=”block” text=”VIDEO NO LONGER AVAILABLE”][\/vc_column_inner][\/vc_row_inner][tabbed_section style=”material” tab_change_animation=”fade” alignment=”left” spacing=”default” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%” full_width_line=”true” icon_size=”32″][tab icon_family=”none” title=”Credits” id=”1768903958217-0″ tab_id=”1768903958217-9″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Rigoletto<\/strong>
\nMusic by<\/em> Giuseppe Verdi<\/strong><\/p>\n

Melodrama in three acts
\nLibretto by Francesco Maria Piave<\/strong>
\nfrom the play Le roi s\u2019amuse<\/em> by Victor Hugo<\/p>\n

The Duke of Mantua<\/em> Marco Ciaponi<\/strong>
\nRigoletto<\/em> Amartuvshin Enkhbat<\/strong>
\nGilda<\/em> Federica Guida<\/strong>
\nSparafucile<\/em> Mattia Denti<\/strong>
\nMaddalena<\/em> Rossana Rinaldi<\/strong>
\nGiovanna<\/em> Elena Borin<\/strong>
\nCount of Monterone<\/em> Christian Barone<\/strong>
\nMarullo<\/em> Stefano Marchisio<\/strong>
\nMatteo Borsa<\/em> Andrea Galli<\/strong>
\nCount of Ceprano<\/em> Juliusz Loranzi<\/strong>
\nCountess of Ceprano<\/em> Emanuela Sgarlata<\/strong>
\nA Page<\/em> Agnes Sipos<\/strong>
\nAn Usher<\/em> Lorenzo Sivelli<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Conductor<\/em> Francesco Ivan Ciampa<\/strong>
\nDirector<\/em> Leo Nucci<\/strong>
\nSets<\/em> Carlo Centolavigna<\/strong>
\nCostumes<\/em> Artemio Cabassi<\/strong>
\nLighting<\/em> Michele Cremona<\/strong><\/p>\n

ITALIAN PHILHARMONIC ORCHESTRA<\/strong><\/p>\n

CHORUS OF THE MUNICIPAL THEATER OF PIACENZA<\/strong>
\nChorus Master<\/em> Corrado Casati<\/strong><\/p>\n

NEW PRODUCTION
\nin co-production with Teatro Municipale di Piacenza, Teatro Comunale di Ferrara[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Info” id=”1768903958264-2″ tab_id=”1768903958264-2″][vc_column_text css=”” text_direction=”default”]It is the first of the three Verdi titles scheduled during the Municipal Season, to celebrate the 210th anniversary of the Maestro’s birth in 2023. Rigoletto is entrusted to an exceptional director, Leo Nucci, a reference interpreter of the role throughout his extraordinary career, who returns to engage with this opera as a director: \u201cHaving sung it on stage 550 times in official performances plus 89 public rehearsals, with the four-hundredth right here in Piacenza \u2013 recalls the famous baritone \u2013 this time I try to tell it as if I were in front of the mirror, to myself.\u201d <\/p>\n

On the podium is maestro Francesco Ivan Ciampa, regularly invited to conduct in major theaters, leading the Italian Philharmonic Orchestra and the Choir of the Teatro Municipale di Piacenza, prepared by Corrado Casati.<\/p>\n

In the title role is Amartuvshin Enkhbat, already highly appreciated in important theaters and at the Municipale di Piacenza in Tosca in 2019, who stood out for the beauty of his timbre and the accuracy of his phrasing and has been described as a baritone with a voice from another era. Accompanying him will be Gilda, interpreted by Federica Guida, a rising young soprano already featured at the Wiener Staatsoper, Teatro alla Scala, and Teatro Massimo di Palermo, along with the Duke of Mantua played by Marco Ciaponi, an internationally acclaimed tenor, already applauded in Piacenza, where as a young man he participated in the Opera Laboratory project with Leo Nucci and was the winner of the \u201cFlaviano Lab\u00f2\u201d Competition. <\/p>\n

The creative team returns to the Municipale, consisting of assistant director Salvo Piro, set designer Carlo Centolavigna, Artemio Cabassi for costumes, and lighting by Michele Cremona.<\/p>\n

It is also worth noting that the production of Rigoletto is attentive to the sustainable development goals of the 2030 Agenda, thanks to the great work of the technical team at the Teatro Municipale di Piacenza, which has given new life to sets and props, with a focus on reusing scenic materials.<\/p>\n

The opera is co-produced by Fondazione Teatri di Piacenza and Fondazione Teatro Comunale di Ferrara.[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#DBCECD” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” top_padding_phone=”8%” constrain_group_5=”yes” bottom_padding_phone=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all” min_width=”47vh”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” column_padding_type=”default” gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”8″ divider_color=”accent-color” custom_line_width=”69″][vc_column_text css=”” text_direction=”default”]\n

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