{"id":1317,"date":"2025-12-18T08:58:52","date_gmt":"2025-12-18T08:58:52","guid":{"rendered":"https:\/\/sitiwebsavona.it\/operastreaming\/the-coronation-of-poppea-ravenna-2024\/"},"modified":"2026-01-21T15:26:36","modified_gmt":"2026-01-21T15:26:36","slug":"the-coronation-of-poppea-ravenna-2024","status":"publish","type":"page","link":"https:\/\/operastreaming.com\/en\/the-coronation-of-poppea-ravenna-2024\/","title":{"rendered":"The Coronation of Poppea – Ravenna – 2024"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”custom” custom_text_color=”#d4c0ff” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”os__hero” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#ffffff” shape_divider_position=”bottom” 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The Coronation of Poppea<\/h1>\n[\/vc_column_text][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” text_color=”#FFFFFF” padding=”large” border_radius=”0px” display=”block” text=”AVAILABLE UNTIL JULY 21, 2024″ margin_bottom=”32″][\/vc_column_inner][\/vc_row_inner][tabbed_section style=”material” tab_change_animation=”fade” alignment=”left” spacing=”default” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%” full_width_line=”true” icon_size=”32″][tab icon_family=”none” title=”Credits” id=”1768477550622-8″ tab_id=”1768477550623-10″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]THE CORONATION OF POPPEA<\/strong>
\nMusic by<\/em> Claudio Monteverdi<\/strong><\/p>\n

Drama for music in a prologue and three acts
\nLibretto by Giovanni Francesco Busenello<\/strong>
\nFirst performance Teatro Santi Giovanni e Paolo in Venice, 1643<\/p>\n

Poppea<\/em> Roberta Mameli<\/strong>
\nNerone<\/em> Federico Fiorio<\/strong>
\nOttavia<\/em> Jose\u0300 Maria Lo Monaco<\/strong>
\nOttone<\/em> Enrico Torre<\/strong>
\nSeneca<\/em> Federico Domenico Eraldo Sacchi<\/strong>
\nArnalta<\/em> Candida Guida<\/strong>
\nDrusilla<\/em> Chiara Nicastro<\/strong>
\nLucano\/1st Soldier\/2nd Attendant<\/em> Luigi Morassi<\/strong>
\nLiberto\/2nd Soldier\/Consul<\/em> Luca Cervoni<\/strong>
\nMercury\/3rd Attendant\/Tribune\/Lictor<\/em> Mauro Borgioni<\/strong>
\nNurse\/1st Attendant<\/em> Danilo Pastore<\/strong>
\nVenus\/Fortune<\/em> Francesca Boncompagni<\/strong>
\nLove\/Page<\/em> Paola Valentina Molinari<\/strong>
\nVirtue\/Maid\/Pallas<\/em> Giorgia Sorichetti<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Conductor<\/em> and Director<\/em> Antonio Greco<\/strong><\/p>\n

Director, Sets, Costumes and Lighting<\/em> Pier Luigi Pizzi<\/strong>
\nAssistant Director and Set<\/em> Lorenzo Mazzoletti<\/strong>
\nCostume Assistant<\/em> Lorena Marin<\/strong>
\nAssistant Light Designer<\/em> Oscar Frosio<\/strong><\/p>\n

MONTEVERDI FESTIVAL ORCHESTRA – C<\/strong>REMONA ANTIQUA <\/strong> <\/p>\n

Production Fondazione Teatro Amilcare Ponchielli di Cremona<\/strong>
\nin co-production with OperaLombardia, Teatro Verdi di Pisa, Teatro Alighieri di Ravenna<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Info” id=”1768477550688-3″ tab_id=”1768477550689-2″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\u201cI designed a metaphysical scene rooted in the classical stage of Sebastiano Serlio from the Renaissance theater, an emblematic square where two worlds face each other,\u201d explains director Pier Luigi Pizzi, describing what \u00abIl Sole 24 Ore\u00bb called the best opera production of 2023. A production that arrives in Ravenna after its summer debut at the Monteverdi Festival in the Teatro Ponchielli in Cremona, the leader of the co-production that includes Alighieri alongside OperaLombardia and Teatro Verdi di Pisa. \u201cAt the center is a tree \u2013 continues Pizzi \u2013 a tree with golden branches facing Poppea’s residence because they have received a beneficial fortunate wind, on the other side the dry branches that speak to us of Ottavia’s solitude. Then there is a golden globe, which is the place where Love exercises its power. (\u2026) Busenello’s is one of the most beautiful opera librettos there is: it speaks to us directly, with such a level of language that it reaches anyone and gives us the opportunity to easily recognize ourselves in the characters of this opera.\u201d <\/p>\n

First performed in Venice in 1643 and the first opera with a historical subject (librettist Giovanni Francesco Busenello was inspired by Tacitus’ Annals), The Coronation of Poppea has come down to us in two manuscripts whose differences reveal manipulations and rewritings \u2013 presumably, the elderly master availed himself of his students’ contributions to stage his last great masterpiece. \u201cThe genesis of this opera is thus a Homeric question, where there are many doubts and few certainties \u2013 emphasizes Antonio Greco<\/strong>, conductor and director \u2013 We chose to stage the most agile Venetian manuscript found in 1888, but inserted the ‘Neapolitan’ instrumental ritornellos from the manuscript rediscovered in 1929. Dramaturgically, nothing changes: the moments when the instrumental ritornellos appear are almost entirely superimposable and the continuo lines are almost always identical. But, while the Venetian instrumental is in three parts, the Neapolitan is in four parts. To these, I allowed myself to add a fifth part, to adapt the score to our orchestra and our theater.\u201d[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][\/tabbed_section][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#DBCECD” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” top_padding_phone=”8%” constrain_group_5=”yes” bottom_padding_phone=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all” min_width=”47vh”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” column_padding_type=”default” gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”8″ divider_color=”accent-color” custom_line_width=”69″][vc_column_text css=”” text_direction=”default”]\n

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