{"id":1214,"date":"2025-12-18T17:31:04","date_gmt":"2025-12-18T17:31:04","guid":{"rendered":"https:\/\/sitiwebsavona.it\/operastreaming\/carmen-reggio-emilia-2022\/"},"modified":"2026-01-21T15:24:08","modified_gmt":"2026-01-21T15:24:08","slug":"carmen-reggio-emilia-2022","status":"publish","type":"page","link":"https:\/\/operastreaming.com\/en\/carmen-reggio-emilia-2022\/","title":{"rendered":"Carmen – Reggio Emilia – 2022"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”custom” custom_text_color=”#d4c0ff” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”os__hero” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#ffffff” shape_divider_position=”bottom” shape_divider_height=”50%” bg_image_animation=”none” 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Carmen<\/h1>\n[\/vc_column_text][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” padding=”small” border_radius=”0px” display=”block” text=”VIDEO NO LONGER AVAILABLE”][\/vc_column_inner][\/vc_row_inner][tabbed_section style=”material” tab_change_animation=”fade” alignment=”left” spacing=”default” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%” full_width_line=”true” icon_size=”32″][tab icon_family=”none” title=”Credits” id=”1768903916729-0″ tab_id=”1768903916730-2″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Carmen
\n<\/strong>Music by<\/em> Georges Bizet<\/strong><\/p>\n

Op\u00e9ra-comique in four acts
\nLibretto by Henry M\u00e9ilhac<\/strong> and Ludovic Hal\u00e9vy<\/strong>
\nfrom the novel Carmen<\/em> by Prosper M\u00e9rim\u00e9e<\/p>\n

Carmen<\/em> Martina Belli<\/strong>
\nDon Jos\u00e9<\/em> Arturo Chacon Cruz<\/strong>
\nEscamillo<\/em> Marco Caria<\/strong>
\nMicaela<\/em> Laura Giordano<\/strong>
\nDancairo<\/em>, Alessio Verna<\/strong>
\nRemendado<\/em> Saverio Fiore<\/strong>
\nMorales<\/em> Gianni Giuga<\/strong>
\nZuniga<\/em> Massimiliano Catellani<\/strong>
\nFrasquita<\/em> Anna Maria Sarra<\/strong>
\nMercedes<\/em> Chiara Tirotta<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Conductor<\/em> Jordi Bernacer<\/strong>
\nDirector<\/em> Silvia Paoli<\/strong>
\nSets<\/em> Andrea Belli<\/strong>
\nCostumes<\/em> Valeria Donata Bettella<\/strong>
\nLighting<\/em> Marcello Lumaca<\/strong>
\nVideo<\/em> Francesco Corsi<\/strong>
\nChoreography<\/em> Carlo Massari\/C&C Company<\/strong><\/p>\n

ORCHESTRA DELL\u2019EMILIA-ROMAGNA \u201cARTURO TOSCANINI\u201d<\/strong><\/p>\n

BANDA DELL\u2019ORCHESTRA GIOVANILE DELLA VIA EMILIA<\/strong><\/p>\n

CHORUS OF THE TEATRO REGIO DI PARMA<\/strong>
\nChoir Master<\/em> Martino Faggiani<\/strong><\/p>\n

CHILDREN’S CHOIR OF THE TEATRO REGIO DI PARMA<\/strong>
\nChildren’s choir master<\/em> Massimo Fiocchi Malaspina<\/strong><\/p>\n

in co-production with Fondazione Teatro Regio di Parma and Fondazione I Teatri di Reggio Emilia[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Info” id=”1768903916804-3″ tab_id=”1768903916805-4″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\u201cIn this staging, there is, particularly for me, the revelation of how this is yet another story of a woman seen through the eyes of men,\u201d explains director Silvia Paoli, who has directed works such as Cinderella in Tenerife, The Marriage of Figaro and Capuleti e Montecchi later reprised at the Comunale di Bologna, Turandot for AsLiCo, Vent du Soir and The Barber of Seville in Florence, The Moth Princess in Oman, Otello for Progetto 200.com in Como, Enrico di Borgogna in Bergamo.
\n\u201cThe entire story is actually subjective, it is the confession of a condemned man, and what is narrated unfolds through two deaths, that of Carmen and the decreed death of Don Jos\u00e9 \u2013 continues Silvia Paoli \u2013 It seemed important to me to focus on the fact that Carmen does not really exist except through the words of her killer and that therefore the true protagonist of the story is Don Jos\u00e9, the one who carries the action forward. We know nothing of Carmen that is not in relation to him, Carmen does not change, Don Jos\u00e9 transforms in the name of a passion (which I am careful not to call love) experienced in an obsessive, unhealthy manner, which leads him to not tolerate the idea of no longer being able to possess what he wants; a story that we could very well read today in the news of any newspaper. I therefore thought of a prison and the entire story not so much as a flashback but rather as an obsessive memory of Don Jos\u00e9 who relives from his cell the encounter with Carmen and the tragic epilogue of his story, recounting it to himself and distorting it through imagination, his own point of view. The memory emerges from the box of personal items and thus the flower, the photo of Micaela, a newspaper clipping, sand in a shoe, which evoke spaces and situations. The image of Carmen and their story is so haunting that Don Jos\u00e9 comes to confuse reality with memory, so much so that he even distorts the everyday, in a spiral that will lead him to identify with what he remembers, to live continuously between dream and wakefulness without almost being able to distinguish them anymore. Since the 1960s was a period in which a process of emancipation began to be realized for women (I recall that in Italy the crime of adultery was abolished in 1968 and the crime of honor only in 1981) and the pillars of patriarchy were questioned, it seemed right to place the story in those years, where the dream of many men continues to oscillate between the devoted wife and the lascivious lover (the Saint and the demon, Micaela and Carmen) but for \u201cthe weaker sex\u201d prospects of growth and rebellion open up. Throughout the opera, women are considered as merchandise, they must be paid, they exist as cigar makers (easy and light women) or to distract customs officers with smiles and body parts; it is a male eye that looks, reality is filtered, it is a man who speaks. I am convinced that to talk about femicide without rhetoric it is more necessary than ever for Carmen to die; calling the one who killed her not \u201cbetrayed lover\u201d or \u201cjealous boyfriend\u201d but murderer and putting him in prison is a way to do justice to Carmen and to all women who want to be themselves, regardless of the desires of others\u201d.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][\/tabbed_section][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#DBCECD” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” top_padding_phone=”8%” constrain_group_5=”yes” bottom_padding_phone=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all” min_width=”47vh”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” column_padding_type=”default” gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”8″ divider_color=”accent-color” custom_line_width=”69″][vc_column_text css=”” text_direction=”default”]\n

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